Helio Presents: Paramore w/the Starting Line & The Almost
Sun. 11/18 | 5:30PM @ Stubb's Bar-B-Q (Red River)
Doors at 5:30pm > Advance Tickets $20 > Door $22 Paramore is a group of teenagers from Tennessee that seem poised to take over the pop underground. From Punk to pop, Paramore has left a …more»
MARITIME
Sun. 11/18 | 9:00PM @ The Mohawk (Red River)
out door9:00pm / All ages / ROADSHOW + LOCAL / Tickets / View Poster
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Text this event As former members of popular/seminal bands know, the glory days of yesteryear can become tomorrow’s millstone. It’s a phenomenon Davey von Bohlen and Dan Didier of Maritime know well,having played in beloved indie (sigh,“emo”) group The Promise Ring.Maritime’s 2004 debut Glass Floor lurked in the same quiet room as The Promise Ring’s swan song, Wood/Water, but last year’s We, The Vehicles showed Maritime growing more confident—and intriguing—as an indie-pop
outfit. That group’s new Heresy And The Hotel Choir—loaded with characteristically melodic, sadly brooding songs—shows Maritime is no longer Wings to Promise Ring’s Beatles. The One AM Radio (the nom derock of L.A. songwriter Hrishikesh Hirway) mines the same aloof, prep-school folk as early Belle & Sebastian, delicate and bordering on pretentious without completely succumbing to its own trappings.Opening: Loxsly.
Tribute for Wash Hamilton
Sun. 11/18 | 1:00PM @ Jovita's (South Austin)
WHAT : Tribute and music party for Texas treasure Wash HamiltonFeaturing : Ponty Bone and the SqueezetonesShelly KingZeke Jarmon & FriendsThe Texana DamesJane BondMandy MercierBoomer Norma…more»
Jazz Night w/ Ephraim Owens, Brannen Temple, & Red Young
Every Sunday 7:00PM @ Lamberts (Second Street)
No Cover$10 off Bottles of WineCall 494-1500 for reservations
The Resentments, Bobby Whitlock & CoCo Carmel, the Salingers
Every Sunday 7:00PM @ Saxon Pub (South Austin)




The youthful rockers in Paramore launched their emo-punk at local Tennessee hangouts and talent shows, as youngsters often do, but made the jump to bigger venues much more quickly than most. That, in turn, prompted a speedy maturity in their sound, adding a level of sophistication to otherwise Avril Lavigne-esque frustration-rock. They’re angry young folk yelling about their anxieties to others like them, but if the trend holds, they’ll elevate to something more complex soon enough. Opening: The Starting Line, The Almost.