Octopus Project/Horse + Donkey/Cue (outside)
Fri. 11/16 | 10:00PM @ Emo's (Red River)
Southern Sirens - Jazz Burlesque Show w/ PK Trio
Every Friday 11:00PM @ Aces Lounge (Sixth Street)
The beautiful and sexy Southern Sirens burlesque dance troupe brings a modern twist to a classic concept every Friday night at Aces Lounge. This must-see modern jazz burlesque show comes…more»
BRAND NEW w/ THRICE, MEWITHOUTYOU
Fri. 11/16 | 7:00PM @ Stubb's Bar-B-Q (Red River)
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Brand New:
Pepper w/ The Expendables
Fri. 11/16 | 9:00PM @ Antone's (West Fifth)
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You’ve got to hand it to bands—like Pepper—that have somehow spawned full-fledged careers singing about downing brews and
blunts with their brahs and babes. Perhaps it was fate that Sublime met an early demise and passed on the West Coast reggae-rock torch, because Pepper’s been supplying the frat-party soundtrack ever since. The group’s laid-back, beach-y roots may be in Kona, Hawaii, but these bros practically define the Volcom-loving, skates-and-tats lifestyle of the SoCal dude. Pepper only bolstered that coastal cred with its 2006 release, No Shame, featuring Tony Kanal of No Doubt and Nick Hexum of 311 as producers. Opening: The Expendables, Passafire.
Mr. Lewis and The Funeral Five, Honeypot, Creamy Flava, Mr. and Mrs. Mays (Lounge)
Fri. 11/16 | 10:00PM @ Emo's (Red River)
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Plastic Parachute w/ Tigercity and Sans Serac
Fri. 11/16 | 7:00PM @ Stubb's Bar-B-Q (Red River)
(Indoor) Brand New Afterparty - Free w/ Brand New tix
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Plastic Parachute:
Those Peabodys/Good Times Crisis (C.D.release)/The Dazzling King Solomon Band (in)
Fri. 11/16 | 10:00PM @ Emo's (Red River)
Austin electronica gurus The Octopus Project make wonderfully vibrant pop that dances wildly between sunny hooks and grungy noise. It’s weird enough to thoughtlessly slap the “experimental” tag on it, but that term conveys a sort of guesswork that’s clearly not in play here: Rock-evolved techno-tinged songs such as “I Saw The Bright Shinies” on the new Hello, Avalanche skip along with catchy precision. The album is a trippy blast, and that didn’t happen by accident—and live, the band exudes a level of warmth and glee not usually felt from the average crew of keyboard-punchers and knob-twisters. Maybe Horse Plus Donkey will also lighten up and apply its apocalyptic reverb to a goofy three-minute pop song instead of its usual sinister (albeit entrancing) slouch toward Bethlehem, but even if they don’t, chamber-rock group Cue will smooth any rough edges with
its soundtrack-ready slices of heavenly orchestral pop.